• See the rerun images on P3-P4. The base is a solid wood cart with casters, with Zhua Zhua kneeling in the center, neck tightly secured by a wooden collar. Four steel pipes vertically pass through the corners of the collar to the cart base, connected at the top by a horizontal steel pipe forming a rectangular frame, with all screws tightened. Zhua Zhua becomes one with this setup—unable to escape even with free hands, transformed into a movable, displayable, and manipulable latex human furniture, completely objectified as the owner's exclusive ornament.
• Of course, how could the owner allow any chance for the latex ornament to shake or struggle? Wrists are cuffed and tied behind the back; the wooden collar forcibly pulls the head upward, making the spine straight; a horizontal bar presses down on the thighs, pinning the entire body to the cart. Zhua Zhua is completely immobilized, maintaining this kneeling posture like a fixed piece of furniture, at the owner's mercy to push around and admire.
• Only the head, wearing a mouth-exposing latex hood, is visible above the collar. First, a forced open-mouth gag is applied, forcibly opening the mouth, with a nose hook pulling the nose upward from